Events

NATURA DÈI TEATRI #25
Performing Arts Festival
TOUCHING 2018-2021
NDT 2021
EFFORT | ALL WOMEN

 

Saturday 5 June | Lenz Teatro 9pm
MARIANGELA GUALTIERI | TEATRO VALDOCA

IL QUOTIDIANO INNAMORAMENTO 50’

In this new sonic rite Mariangela Gualtieri gives voice to the verses of her last book, Quando non morivo, interweaving them with others from the past and composing everything in a well orchestrated rhythmic score.

Saturday 19 > Friday 25 June| Perimetrale Abbazia di Valserena 9pm
LENZ FONDAZIONE

LA VITA È SOGNO | 90’
from Calderón de la Barca

Project for Parma 2020+21 Italian Capital of Culture

LA VITA È SOGNO is part of IL PASSATO IMMINENTE, a four-year project 2018-2021 > site-specific performative, choreographic, visual and sound installations conceived and directed by Maria Federica Maestri and Francesco Pititto.
In the new installation at the Abbey of Valserena, as already in the two site-specific autos sacramentales Il grande teatro del mondo and La vida es sueno at the Complesso Monumentale della Pilotta in Parma, the sensitive actor – together with adolescent and elderly performers – becomes a central figure of the dramaturgy, of the mise en site, of the deep sense of the theological-philosophical drama.

Saturday 26 June | Lenz Teatro 9pm
STEFANIA ?ALOS PEDRETTI

THE CHAOS AWAKENING Ritual | 50’
Première_Creation for ND’’T #25

With the Ritual The Chaos Awakening ?Alos continues and deepens his research in the mystical, magical, shamanic and pagan side of music and voice.

MARIA FEDERICA MAESTRI_FRANCESCO PITITTO | LENZ FONDAZIONE
ORESTEA |
120′

The tragedies that make up the Oresteia of Aeschylus represent a single family story divided into three episodes, whose roots lie in the mythical tradition of ancient Greece: the murder of Agamemnon and his lover-slave Cassandra by his bride Clytemnestra (Agamemnon), the revenge of his son Orestes who, with the complicity of his sister Electra, kills his mother (Le Coefeore), the persecution of the matricide by the Furies and his final acquittal by the court of the Areopagus (Le Eumenidi).
The stage project directed by Maria Federica Maestri and Francesco Pititto is composed of three creations: #1 Nidi from Agamemnon, #2 Latte, from Le Coefore and #3 Pupilla from Le Eumenidi; the powerful sound translation of the trilogy is designed by Lillevan, one of the most significant artists of the international electronic music scene.

SUSANNA MATI
TRAGEDIA, TEATRO, DÈI NEL PENSIERO DI NIETZSCHE
Lectio Magistralis

What role do tragedy, theater, and the gods (particularly Dionysus) play in the thought of one of the most influential philosophers of modernity, Friedrich Nietzsche? And above all: are tragedy, theater and the divine necessary to thought as such?

ANTONELLA BERTONI | COMPAGNIA ABBONDANZA/BERTONI
C’È VITA SU VENERE | 20’
Première_Creation for NDT #25

I welcome with joy, and as a strong call, the invitation of Maria Federica and Francesco to be present at the twenty-five years of Natura Dèi Teatri, I will circumnavigate around the given theme: effort, a distant goal today, yet present.

DORIS UHLICH
EVERY BODY ELECTRIC | 75’ (video)

Every human being is thrown into the world without having asked for it, has/is a perfect or disabled body. To despair or to react? The naked bodies in Every Body Electric react, each presenting themselves in their own unique individuality.

CRISTINA KRISTAL RIZZO
TOCCARE the White Dance | 60’

TOCCARE_the White Dance, in its choreographic thought intends to implement an aesthetic experience that reveals the power of touching as a founding gesture of the world, the sensitive one of bodies but also that of insensitive matter, the simple intimacy of a radically open feeling.

CLAUDIA SORACE | MUTA IMAGO
BARTLEBY | 40’ (video)

Bartleby is the second chapter of the American Tales trilogy: narration by sound and images inspired by the very famous homonymous text by Herman Melville.


FIORELLA IACONO
TRASFIGURAZIONI
Photo exhibition

Première_Creation for NDT #25

These images document details that precede the work that will take place on stage. They are objects, glimpses of movements, expressions that run through some of Lenz Fondazione’s works from 2016.

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