TRAGEDY, THEATER, Gods in the thought of Nietzsche

What role the tragedy play, the theatre, the gods (In particular Dionysus), In the thought of one of the most influential philosophers of modernity, Friedrich Nietzsche? And above all: tragedy, Theater and divine are necessary for thought as such? O, to say better, A scenic element is inherent in philosophy, theatrical, since it moves, like any other human knowledge, In that reality that Nietzsche defines, once and for all, come “semblance” (Schein)? If philosophy moves within the intrinsic tragedy of the apparent world, What is the bond, At that time, between the thought and what is at the origin of each tragedy, myth? And what is the bond, consequentially, Between thought and theater? In this conference we will try to answer these and other questions, through reflection – always in-present – and the very action of the great philosopher.

Each of Nietzsche's words has always been an enigma above all: superman, will to power, eternal return, nihilism, Death of God. Perhaps his word does not mean too many things. Maybe Nietzsche was not a philosopher but a great comedian, an imitator of voices, a puppeteer who does not believe what they say to the puppets, SEMPLY AT PRODUCE AN EFFECT “aesthetic”. Perhaps his is not a philosophy but a work of art, An artistic operation, A sort of happy. Something that asks to be crossed and left behind. Because being Nietzscheani today means unmasking the teacher who taught us the virtues of unmasking.