SHAKESPEARS GEIST
“To be, or not to be, I There's The Point, "says Hamlet in his UR. “Me here, or I not here…"Says the actress in her original world of Vitasogno, while the companion -actor refracts echoes of now distant memories (The UR-Hamlet in the watertens, Lenz refrazioni's Ham-let). Together, The trip to two as the heroes of Cervantes begin, towards the non-sense of saying not saying.
But Hamlet goes straight to the point, resolves the question: Listen to me and look at me because I am beauty! Shakespeare appears suddenly, Like the spectrum of his Hamlet, inside the scene of his theater, To scream again the totality of the artistic ego against any convention and conformism. The short monologue of Lenz becomes romantic landscape open to multiple dawn and twilight of feeling.
The author overlooks the window of the great scene of the Shakespearean theater that torments the romantics and enhances them with art that dialogues with God, who makes them look like the god of men. It overlooks until you drop down, sunk in the void. “Io?"Shakespeare enters the scene thrown there by himself, between quintes painted with heads that look, On the bottom the actors of the scene in which the spectrum appears. Hamlet and Garrick who interprets him. Shakespeare himself enters the scene. Who imitates who? What a concession! To your monkey you grant Father to create in imitation. Lenz, Shakespeare, Hamlet, Dio: The actor launches his "Cri Animal" by thanking the divine for the bliss granted to him.
SHAKESPEARE GEIST
(The Specter of Hamlet)
From Hamlet by William Shakespeare and Jakob Michael Reinhold Lenz
playwriting and directing || Maria Federica Masters | Francesco Pititto
Scenic den and costumes || Maria Federica Masters
musica || Andrew Azzali
interpreters || Barbara Voghera, Alessandro Sciarroni
light design || Rocco Giansante
producing || Lenz Refractions
first || Industrial, Parma, 2006
duration || 70 minutes
