On the occasion of the celebrations for April 25, 2026, the Permanent Project on the Resistance and the Holocaust of Lenz Fondazione will include a site-specific installation inside the Parma City Council Chamber entitled Il Castello, a visual and sound installation on the euthanasia program for people with disabilities, already poetically explored by Lenz in the 2017 show Aktion T4.
Since its establishment in 2015, as a defining feature of future artistic, cultural, and political planning, Lenz Fondazione has made permanent its historic dramaturgical research project on the themes of the Resistance and the Holocaust, begun in 1990. Created with the historical-scientific consultancy of the Historical Institute of the Resistance and Contemporary History, the project is configured as a permanent performance study activity.
In the three-year period 2022-2024, Lenz's artistic research focused on the role and biographies of the Women Partisans of the Parma Resistance and in particular was dedicated to the ‘Piccine’, the very young partisans, little more than adolescents during the years of the Resistance, of whom historical research has managed to recover/preserve only scant documentary traces. In 2024, on the occasion of the April 25th Celebrations, Maria Federica Maestri and Francesco Pititto curated the Piccine macro-installation inside the Parma City Council Chamber.
In the three-year period 2025-2027, the ongoing project on the Resistance, entitled Rami e Radiazioni, will have a new conceptual expansion, not limited to the artistic translation of the historical memory of the Resistance, but by expanding the performance transcriptions to reflect the impulses radiating the principles that gave rise to the fight against Nazism and Fascism.
New spatial declinations in the symbolic places of democracy and anti-fascism in the city of Parma.
2025 ~> BRUNO LONGHI_LE SORELLE
Visual and sound installation by Maria Federica Maestri and Francesco Pititto on the sisters of Bruno Longhi, a victim of the Gestapo and a central figure in the Parma Resistance. Site-specific for the Council Chamber of the Municipality of Parma
2026 ~> IL CASTELLO_AKTION T4
Visual and sound installation by Maria Federica Maestri and Francesco Pititto on the Nazi project for the euthanasia of people with disabilities.
Site-specific for the Council Chamber of the Municipality of Parma
2027 ~> TRIANGOLO ROSA_OMOCAUSTO
Visual and sound installation by Maria Federica Maestri and Francesco Pititto on the Holocaust in Nazi concentration camps.
Site-specific for the Council Chamber of the Municipality of Parma
In 2026, Lenz Fondazione intends to promote study days, workshops, and transdisciplinary training seminars, including reflections with plural perspectives on the Aesthetics of Non-Serene Art (Holocaust_Resistance). In collaboration with Fabrizia Dalcò and ISREC.
Below, you can consult contemporary performance creations, seminars, and days of public reflection dedicated to the themes of the Resistance and European tragedy during the Nazi-Fascist dictatorships, organized from 1990 to today by the Lenz Foundation:
1990 ★ VIALE SAN MICHELE. PRIMA CHE SI IMBIANCHINO LE CANTINE
1991 ★ BRUNO LONGHI (prima versione)
2005 ★ BRUNO LONGHI (seconda versione)
2009 ★ EXILIUM_LA GRANDE CICATRICE
2015 ★ BRUNO LONGHI (terza versione)
2016 ★ KINDER [ Bambini ]
2017 ★ AKTION T4
2018 ★ ROSA WINKEL [ Triangolo Rosa ]
2019 ★ [BLACK] BRUNO LONGHI
2021 ★ VIALE SAN MICHELE. PRIMA CHE SI IMBIANCHINO LE CANTINE (visual)
2022 ★ PICCINE
2024 ★ PICCINE (seconda versione installativa)
2025 ★ BRUNO LONGHI_LE SORELLE
On the occasion of the celebrations for April 25, 2026, the Permanent Project on the Resistance and the Holocaust of Lenz Fondazione will include a site-specific installation inside the Parma City Council Chamber entitled Il Castello, a visual and sound installation on the euthanasia program for disabled people, already poetically explored by Lenz in the 2017 show Aktion T4.
This is a contemporary artistic reworking on the themes of discrimination, social stigma, and institutionalized violence among people born with physical and mental disabilities during Nazism. The installation of images and fairy-tale words of disabled children activates participants' consciousness through a playful and childlike experience that transforms into a tragic one.
The installation takes its inspiration from Hartheim Castle, home to the Hartheim extermination centre (German: NS-Tötungsanstalt Hartheim).
It was an extermination facility involved in the Nazi program known as Aktion T4, in which German citizens deemed mentally or physically unfit were systematically killed with poison gas.
Aktion T4 was a Nazi program initiated in 1939 and coordinated by Tiergartenstrasse 4 headquarters in Berlin. In the name of “purity of race”, the regime organized the secret elimination of people with mental or physical disabilities, considered “unworthy of life”. Through an efficient bureaucratic system –from patient selection in hospitals to transfer to extermination centers – thousands of people were killed in gas chambers and cremated.
Although propaganda tried to justify these actions as acts of “mercy”, the population and the Churches began to oppose them, leading to the official suspension of the program in 1941.
HARTHEIM CASTLE
Hartheim Castle, home to the Hartheim extermination center (German: NS- Tötungsanstalt Hartheim), was an extermination facility involved in the Nazi program known as Aktion T4, in which German citizens deemed mentally or physically unfit were systematically killed with poison gas. This was initially a legally permitted involuntary euthanasia program, ostensibly to allow the legal and painless killing of incurable patients; these murders continued even after the law was repealed in 1942 and extended to Jews, communists, and others deemed undesirable by the state. Concentration camp inmates who were unfit for work or otherwise deemed problematic were also executed at the center. The extermination center was housed in Hartheim Castle in the municipality of Alkoven, near Linz, Austria.
In June 1945, during investigations conducted by the United States at the former Hartheim gasification plant, the American in charge of the investigation Charles Dameron opened a steel safe in which Hartheim's usage statistics were found: a 39-page booklet produced for internal purposes of the Nazi euthanasia programme (Aktion T4) containing monthly statistics on gassings of physically and mentally handicapped patients, referred to by the term "disinfection" in the document, carried out in the six euthanasia centres set up on Reich territory.
In 1968 and 1970 a former employee of the plant revealed that he had compiled the material in late 1942. Among the pages of the pamphlet, one indicates the bill that "the disinfection of 70,273 people with a life expectancy of 10 years" had saved in terms of food and other resources worth 141,775,573.80 Reichsmarks. According to statistics, a total of 18,269 people were killed in the Hartheim gas chamber during the 16-month period between May 1940 and September 1, 1941. These statistics cover only the first phase of the Nazi euthanasia program Aktion T4, a program that ended with Hitler's order of August 24, 1941 after protests from the Roman Catholic Church. In all, it is estimated that a total of 30,000 people, including sick people, disabled people, and concentration camp prisoners, were executed in Hartheim by carbon monoxide poisoning.
Visual and sound installation re-edition of Aktion T4
Dramaturgy and imagoturgy | Francesco Pititto
Installation | Maria Federica Maestri
Music | Andrea Azzali
Curating | Elena Sorbi
Organization | Ilaria Stocchi
Communication and press office | Giovanna Pavesi
Graphic design and promotion | Alessandro Conti
Technical care | Alice Scartapacchio, Dino Todoverto
Production assistant | Giulia Mangini
Photographic documentation | Elisa Morabito
Production Lenz Foundation in collaboration with ISREC Historical Institute of Resistance and the Contemporary Age of Parma