PUBLIC HABITAT 2022
Allegedly, too human It is the title of the theatrical season that Lenz will articulate from March to July 2022, composed of a plurality of performative and cultural proposals, which open to public use the post-industrial spaces of Lenz Teatro.
Historical seat of training from 1989, Lenz Teatro is located in via Pasubio, a Parma, In a former peripheral and popular district subject of intense urban redevelopment interventions over the past few years. Here the traces of an industrial past, of which isolated sections of important archaeological value survive, coexist with innovative contemporary architectural experiments in a type of European-style urban redevelopment.
Public project carried out in collaboration with National and territorial institutions and associations.
From the beginning to the beginning, In a circular time never identical, From Lenz to Lenz but out of the orbit already traced by years of research, of successes and arrhythmias of the course, doubts and uncertainties but always dissatisfied with every result. Then the result presupposes the restart, new risks, new directions. New geosophies, new geographies of knowledge and knowledge, New visions. Today the situation in the world, already catastrophic for the continuous human attack, requires an alternative thought, of survival methods, maintenance of human species and not. They are large thoughts but concerning the detail, concern each of us. Concern war and peace, Since nature can recover by itself as the Matsutake mushroom that was born on the devastated landscape of Hiroshima, or on the waste of Fukushima or like animals that wander for Chernobyl that we seem to have learned to adapt to radiation, But for the human being the perspective is very worse, it is much weaker and defenseless. Perhaps it is necessary to overcome the man-natural combination and consider us all belonging, and employees, Dal Medesimo Habitat. New beasts, new kinships. What does the theater have to do with this? If the emotion process, feeling and brain are characteristic, like language, of the human being every representation, expression, refraction of thought must, necessarily, have to do with this. Under penalty of repeating the same way to confront ourselves with ourselves, human actors and human spectators pretending that everything is as always, that art has not resentful of anthropocene and its radical upheavals, that scientific research has not introduced new worlds and visions, New techniques, New creative practices, new relationships between agents and participants. And precisely because the theater cannot exist without one and the other serves to stage the complexity of the world, The survival prospects, New languages in saying, think, fare. You will see from the proposals of the program how the search for the revelation of complexity is strongly chased, shuttered, spy. Apocalypse, At the end of the three -year period, means revelation, unveil, And we still ask ourselves if it has already happened or if it will happen and when. Here's what the theater, as body and mortal art, should seek, in the Synel and philosophy, Anthropology and Biology, Sociology and Psychology, Technology and visual culture are already doing it at frenetic pace. Also visual art, the cinema, Music and poetry in many works have done so and try to keep up. Because contemporary theater should not do it? We think that, as always, an alternative thought, A vision of the world closer to a pantheistic conception of life and nature can come today by women, from a group of European and American women who have been offering us horizons and sizes for some decades, Refractions and diffractions that stimulate us to radically reconsider functions and prospects. Donna Haraway, Karen Barad, Judith Butler, Rosi Braidotti, Anna Tsing, Nina happiness ad esempio. After Deleuze, Nancy and every rhizome deramation of critical thinking are today our references, Our study interests, The imaginations of the future to be built well knowing that what really matters is only the present. Utopia and desire must be now, because there is no longer time, The earth is tired of us and recommends changing us, to revolve us. Lenz's wide vision compared to the need for theater, encyclopedic image, It was built over our years of work, And he formed our theatrical practice making us discover beauty where it was not yet perceived, It could not be perceived if not going to look for it, With the same obstinacy of a Simone Weil, of a Cristina Campo. A continuous linguistic storm, social, psychic never placed on their forms, always binding, even the loss of meaning, a continuous comparison with unknown sensitivity and abilities, and for compass the classicism that everything contains and everything repeats, more ugly. From Lenz by Büchner to Lenz of Catharina von Siena still to say of madness and holiness, but outside the initial temporal and dramaturgical lines, Still to build together for the next three years. Lenz Foundation 9 March 2022 Francesco Pititto ✧ Friday 18 February – streaming ADELCHI ✧ Wednesday 16 March ore 18:00 – Full projection video + intermezzo drink ore 20:30 – show + Other Lenz Room States ✧ Thursday 17 March ore 18:00 – Full projection video + intermezzo drink ore 20:30 – show ✧ Friday 18 March ore 17:30 – Full projection video ore 19:30 – show + after show > sound & visual and Life is a dream ✧ Saturday 19 March ore 18:30 – Full projection video ore 20:30 – show + after show > sound & visual and Life is a dream ✧ Monday 21 March ore 20:00 – World people's day with down syndrome ✧ Wednesday 23 March ore 18:00 – Full projection video + intermezzo drink ore 20:30 – show ✧ Thursday 24 March ore 18:00 – Full projection video + intermezzo drink ore 20:30 – show ✧ Friday 25 March ore 17:30 – Full projection video ore 19:30 – show + after show > sound & visual and Life is a dream ✧ Saturday 26 March ore 18:30 – Full projection video ore 20:30 – show + after show > sound & visual and Life is a dream ✧ Thursday 7 April ore 18:00 – Full projection video of ore 19:30 – show ✧ Wednesday 13 April ore 20:30 – show ✧ Thursday 14 April ore 18:30 – show ✧ Friday 15 April ore 19:30 – show ✧ Saturday 16 April ore 20:30 – show ✧from Monday 25 April to Friday 29 April from hours 18:00 at 20:00 Celebrations for the resistance and liberation feast Partisan women of the resistance – video installation ✧ Monday 25 April ore 21:00 – streaming ✧ Wednesday 27 April from 17:30 at 19:30 – Seminar N.1 ✧ Tuesday 17 maggio ore 21:00 – streaming ✧ from Thursday 19 on Saturday 21 maggio ore 21:00 – sharing ✧ Saturday 21 maggio ore 21:00 – streaming ✧ dal 15 al 17 June and from 22 al 24 June ore 21:00 – show ✧ Friday 17 June from 16:00 at 19:00 – Seminar N.2 ore 21:00 – show ✧ Tuesday 21 June ore 18:30 – show ✧ From Wednesday 22 June to Friday 8 July NATURE OF THEATRES ✧ From Tuesday 28 on Thursday 30 June STEFANIA ?ALOS PEDRETTI- laboratory open to all ✧ from 10 Wednesday 6 at 24 on Friday 8 July ore 20:30 – streaming ✧ From Wednesday 22 June to Friday 8 July NATURE OF THEATRES ✧ From Wednesday 6 on Friday 8 July hours 21 NATURE OF THEATRES
by Alessandro Manzoni
translation, playwriting, imagoturgy: Francesco Pititto
installation, regia, costumes: Maria Federica Masters
musica: Andrew Azzali
interpreters: Franck Berzieri, Charles Right, Carlotta Spaggiari
LIFE IS DREAM
OTHER STATE
LIFE IS DREAM
OTHER STATE
LIFE IS DREAM
OTHER STATE
LIFE IS DREAM
OTHER STATE
SARA STAR MEMORIAL
LIFE IS DREAM
OTHER STATE
LIFE IS DREAM
OTHER STATE
LIFE IS DREAM
OTHER STATE
LIFE IS DREAM
OTHER STATE
Iphigenia in the Taurides
Iphigenia in Aulis Oratorio
THE CREATION
THE CREATION
THE CREATION
THE CREATION
KINDER
PARTISAN RESISTANCE
ROSA SHOP
Annamaria Ajmone
BESTIARY – Kinship n.1
RADICAL CHANGE
CATHERINE OF SIENA
since Jakob Michael Reinhold Lenz. Adaptation and Dramaturgy: Francesco Pititto. Installation, regia, costumes: Maria Federica Masters. Musica: Adriano Engelbrecht and Andrea Azzali. Interpreters: Sandra Soncini.
A Lenz Theater and live streaming on our Facebook channel
Feminisms and holiness
With the participation of the theater scholars Maria Dolores Pesce and Roberta Pierangela Gandolfi, of the essayist and partner of the Italian theologian coordination Rita Torti, of the teacher of medieval English literature at the University of Swansea Roberta Magnani.
CATHERINE OF SIENA
Exit Lab exaltations
Da Catharina von Siena
by Jakob Michael Reinhold Lenz. Adaptation and Dramaturgy: Francesco Pititto. Installation, regia, costumes: Maria Federica Masters. Interpreters: Alliev* lab serd.
BESTIARY | Animal female | Kinger n.2
STEFANIA ?ALOS PEDRETTI
CHAOS
From the first book of the Metamorphosis of Ovid. Dramaturgy and image: Francesco Pititto. Installation, regia, costumes: Maria Federica Masters. Musica: Andrew Azzali. Interpreters: Valentina Barbarini, Joseph Barigazzi, Elena Sorbi, Laura Vallavanti.
BESTIARY | Animal female | Kinger n.2
STEFANIA ?ALOS PEDRETTI
BESTIARY | Animal female | Kinger n.2
STEFANIA ?ALOS PEDRETTI
RITUAL II EMBRACE THE DARKNESS
An exploration of the struggle between opposites through the sound-natural relationship, reinterpreted with the semiotics of the volcano, Polyisemantic creature that incorporates fire energies (magma, lava), air (gas, smoke, ash), water (water vapor, fog) and of the earth.
