It is an event with a performative character, a sort of dramaturgical parade of the words inscribed on the body shells of the characters that make up the Faustian fresco.
A selection of around thirty pieces parade through an exhibition scenic space, the works that most forcefully express the visual dramaturgy accomplished in three years of work. The ensnared and sumptuous bibliophilia of Faust's costume; the prison damnation of Margaret armoured by a carded bustier pierced by an arabesque of pointed nails, a loving body condemned to show dried udders of rags fleshy only with glue; the volatile costume of Ariel, suspended by the multitude of gaseous helium that feeds the black breath of Faust's moral evil, these are some of the fundamental customs for the visual re-inscription of the dramatic verb.
