Body of evidence

Memory objects, object memories. Finds. Trials. What remains. Fragments.

Catalog of gestures and signs. Catalog of finds. Temporary destiny. Evidence. Evidence.

Objects of affection, the finds assign a destiny to the warehouses, they deliver the loose trace of a calendar to the catalogue. Material captions of events, performance tags, props await the barcode of a look, the digital madeleine of an audio, the tactile impression of a gesture of order and identification. In the insurance policy of a box or shelf, objects still pose, they pose, new state of happening, other acting,. Object classes, sign classes. Classifications. Other festivals of glances and investigations.

In the disorder of abandonment, props appear, however, like plots abandoned by the life of a disaster, whether flight or ground. What still remains. Or it finds, as a posture of other drawings, in the unexpressed possibilities of affections, as already in the small mantra that any suitcase, any shopper presents, a private scene of an ordinary and sometimes primary and traumatic theater of small effects and belongings, in the portable bric à brac of the daily soul. Orders and cases, contained by very poor plastics or sumptuous and designer skins, which form and accompany the mobile action of many lives. Or they resign the mobile action of many deaths. Casualties of the movement. Of stalemate. Of a fall. Or loss.

Dissipative equilibrium matrix.

But in the aerial and transparent order of plastics and ceilings, in this absolutely occasional and temporary order, clear evidence of the breathing of objects, these finds seem to release and loosen like oxygen masks of modern collective cockpits, sudden aerial-mobîles, from other habits and environments. Air above heads, gaze raised, turn of eyes. As possible evidence of other games, or language engagements. Or as a shelter, suspended, a camouflage trace of events and scenes. Lightly waiting for other actions, instant destinations, again for the eyes and for different attentions. Finally, bodies of other possible crimes - of other consumption, of other and new imaginable embodiments. Like verbs crystallized in nouns, signs like 3D postures, evidence of other, possible, evidence. Cellophane touch vocations protected by fingers, mites, human carbon dioxide, and other possible bad weather, contamination. Indicated and reported finds, assigned to the index of a new evidence. The test to be done and trained in the sensitive court of the eyes. Curtain, without irony, on history. Tests without a curtain anymore.